As summer comes to a close, I have been gifted with bursts of creative energy. I have returned to my pyrography and have created some new earrings inspired by my many hikes this summer. I have also started exploring the world of polymer clay and I abolsutely love it. It’s not my first time working with clay, but definitely my first time working with this one in particular. I added a few pieces to gauge folk interest.

If you’re interested in owning your own pair, please click here to go to my online shop.

 

Here are some shots from my show in February in Easthampton, MA. It was my first gallery exhibit in Massachusetts. Most of these pieces were created during my artist residency in January of this year.

It has been a month since I’ve started my first studio audience residency. I wanted to share with you my “Rosebuds and Thorns, “holding what is working well and where I’ve been challenged.

Rosebuds:

So far, the greatest rosebud is the space and how big it is. It is HUGE and empty, except for my work. And because of this, it focuses my attention. When I am there, I am present for what am there to do-paint.   I don’t have anything distracting me (well, almost-sometimes my daughter comes with me) I am there to make art. And as a result, I have painted more during this residency than I have in years. I have also found that I can get started more quickly than I have in the past. I don’t overthink things. And if something comes out “ugly” then that’s just what it is. I can always paint over it and start over.

Thorns:

The thorns are centered around my energy.  After a long day or week at work, I have to drive another 40-50 minutes round trip from my house to the studio, which limited how many days a week I get to the studio. I sometimes remember to bring my art supplies, but those days are the exception. During the long Dr. King weekend,  when I thought I would spend days painting, my car broke down and spent those hours painting in my art room at home.

Because I may not go to the studio for days,I have been toting my supplies back and fort.  I want to always have access to my art supplies with me when I need them, so I never leave them in the studio.

All in all, it has been a great learning experience. One in building a sustainable creative practice. It has caused me to reflect on the power of limitation and the notion of bigger being better.  It has made me revisit the heart of my undergraduate work, which centered on mothering and self-actualization, which I plan to write about later. In my next post, I will talk more about my emerging work and some more insights that have come during this process.

With love,

Gabrilla

 

I began my first studio artist residency this week. Today I spend a couple hours there after getting things prepped yesterday and it felt really good. I was scared and unsure of how I would begin. But sometimes you just have to start. And I did it, imperfectly and I will return again tomorrow and do it again. Here’s a photo of the space. It’s huge!

On New Year’s Eve, I re-started an art journal practice. It was something I started when I first got back from Mexico City, where I painted everyday in my large water color sketchbook. Being on vacation gave me a lot of free time to paint,  which I don’t have during the school year. I have been committed for the last 7 days and am almost finished the sketchbook I started in August of last year. Here are some photos of my pages.